Jonathan Barreto
When Slipknot ripped into “Eyeless,” Joey Jordison turned it into pure athleticism, his rapid fills and crushing breakdowns made the song feel like a drumming masterclass. In live clips from summer 2000, like the Tattoo the Earth festival in Somerset, he tears through the track with a speed that feels almost superhuman. He even throws a look back at the camera, like he knows he’s playing at his absolute peak.
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